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SID – SUPERMAN IS DEADSuperman may be dead but the punk spirit is quite alive! For the last month Shepard Fairey has been showing his exhibition, a collaboration with legendary photographer Dennis Morris, at Subliminal Projects in LA; the whole show has been a considerate collusion centred around the brash bombast of Sid Vicious – punk’s most infamous bass guitarist. Dennis Morris, perhaps best known for his association with Bob Marley as a teenage photographer, supplied his archive of Sex Pistols photographs and gave Shepard the opportunity to work on them to create a mix of artwork formats. The whole event was succeeded by the one-off and one-time-only appearance of super-group ‘Ritchie Love’; led by Sex Pistols’ own Steve Jones, fronted by the braggadocio of Billy Idol and fuelled by the rhythm section of Leigh Gorman (of Bow Wow Wow) and Clem Burke (of Blondie). “The Sex Pistols changed my life when I discovered them in 1984; their music alone made my arm hairs stand up but their image and attitude were just as important and powerful. The member of the Sex Pistols who I was drawn to and most epitomized the punk image for me was Sid Vicious with his spiked hair, leather jacket, lock necklace, and reckless behaviour. At 14 I was mesmerized by Sid and made my first home-made t-shirt of him snarling his lip defiantly. I was rebelling, looking for any way to irritate my parents and, before I knew better, Sid was my Superman. Sid self-destructed young and with punk’s slogans like ‘No Future’ and ‘Live Fast, Die Young’, Sid was everything (the Superman, anti-hero and cliché) that the nihilistic movement called for. Sid didn’t really do much to shape punk music… he only actually played on two songs on ‘Never Mind the Bollocks Here’s The Sex Pistols’. However, Sid’s surly vocals kick ass on ‘C’mon Everybody’, ‘Somethin’ Else’, and ‘My Way’. Sid remains one of punk’s most enduring icons even if he is a classic example of style over substance. I was a sucker for Sid’s image as a teenager, and I still am, even though I see him as less ‘cool’ and more tragic and cautionary these days. I have made many images of Sid over the years and I thought I had retired him as a subject until Dennis Morris, the photographer of the most intimate and iconic shots of Sid, approached me about a collaboration. Dennis’ archive provided an amazing treasure trove of Sid images to work from in creating the paintings and prints in the ‘Superman is Dead’ show. I’m so glad I got to do Dennis’s Sid images ‘My Way’! I can now retire Sid as a subject. I’ve worked with the best, I can skip the rest.” – Shepard Fairey “Working from the title, S.I.D (Superman is Dead), these photographs sum up and represent the image Sid portrayed of himself to the public. He was hero, villain, fearless, innocent and like a supernova, he shone bright, lived fast, died young. Punk needed a hero, Sid became that hero / anti-hero. The idea for the exhibition came from a mutual admiration and respect of each other’s work (for Shepard and I). When Shepard and I eventually met the exhibition was born on that first meeting. It had to happen. And a happening it will be!” – Dennis Morris We’re constantly broadcasting and we always have something to say so find us on: Until the next time… |
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